Kanye brings out Hova at MoMA. Moody and arrogant as ever.

On Tuesday night, for the Museum of Modern Art’s annual Party in the Garden, he opted for something a little more melodious. For most of the roughly 45 minutes that he’d been onstage at that point, Mr. West had been moody, dour, even irritated at times, a star who enthralled even at low wattage.

After a roaring take on “Runaway,” during which he pounded on his MPC drum machine, he began addressing, well, everyone. “Thank you for loving me when they told you not to love me,” he half-sang, through an Auto-Tunelike effect, rendering him an emotional cyborg. “I’m sorry about anybody out there that had to fight for me. Do you know what it feels like to be hated, do you know what it feels like to be degraded?” There was more, about his alleged racism, about branding and marketing, about his late mother: “I know she’s smiling down.”

It’s likely that the Abby Aldrich Rockefeller Sculpture Garden had never seen such twisted pain. It was filled with a crowd of more than 1,000 — largely men in expensive suits and women in more expensive dresses — and some of its more delicate pieces were roped off, for their own safety. A smattering of well-known faces worked the room: Nick Zinner of the Yeah Yeah Yeahs; the actor
Aziz Ansari in a slim suit, cutting through the crowd at warp speed, trailed by a similarly outfitted entourage.

(Read the entire NY Times review HERE).

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